Adrienne Rich was the singular voice of her generation and one of our most important American poets. She brought discussions of gender, race, and class to the forefront of poetical discourse, pushing formal boundaries and consistently examining both self and society. This collected volume traces the evolution of her poetry, from her earliest work, which was formally exact and decorous, to her later work, which became increasingly radical in both its free-verse form and feminist and political content. The entire body of her poetry is on display in this vast volume, including the National Book Award-winning Diving Into the Wreck and her prize-winning Atlas of the Difficult World.

When Nobel Laureate Pablo Neruda was a teenager, he pawned a family heirloom to fund the publication of his first book, Book of Twilight, which--until now--has never been published in its entirety in the United States. Presenting the highly romantic style refined and empowered in his later books, Neruda's debut introduces a bold poet unafraid to take risks, push boundaries, and write towards an unapologetic romanticism. Everything we know about Neruda--all his gestures, hyperbole, and effusiveness--appears vividly and for the first time in these poems.

Considered by Rumi to be "the master" of Sufi mystic poetry, Attar is best known for his epic poem The Conference of the Birds, a magnificent allegorical tale about the soul's search for meaning. The poem recounts the perilous journey of the world's birds to the faraway peaks of Mount Qaf--a mythical mountain that wraps around the earth--in search of their king, the mysterious Simorgh. Attar's beguiling anecdotes and humor intermingle the sublime with the mundane, the spiritual with the worldly, and the religious with the metaphysical. Reflecting the entire evolution of Sufi mystic tradition, The Conference of the Birds models the soul's escape from the mind's rational embrace.

WINNER OF THE 2018 PULITZER PRIZE IN POETRY WINNER OF THE 2017 NATIONAL BOOK AWARD FOR POETRY The collected works of one of contemporary poetry's most original voices Gathered together, the poems of Frank Bidart perform one of the most remarkable transmutations of the body into language in contemporary literature. His pages represent the human voice in all its extreme registers, whether it's that of the child-murderer Herbert White, the obsessive anorexic Ellen West, the tormented genius Vaslav Nijinsky, or the poet's own. And in that embodiment is a transgressive empathy, one that recognizes our wild appetites, the monsters, the misfits, the misunderstood among us and inside us.

In recent decades, poetry slams and the spoken word artists who compete in them have sparked a resurgent fascination with the world of poetry. However, there is little critical dialogue that fully engages with the cultural complexities present in slam and spoken word poetry communities, as well as their ramifications. In Killing Poetry, renowned slam poet, Javon Johnson unpacks some of the complicated issues that comprise performance poetry spaces. He argues that the truly radical potential in slam and spoken word communities lies not just in proving literary worth, speaking back to power, or even in altering power structures, but instead in imagining and working towards altogether different social relationships.

This impressive volume provides over 1,500 thoroughly revised and updated entries on modern poets active from 1910 to the present day. An extensive guide to the lives of influential poets writing in English, in Britain and around the world, this companion helps to illuminate the influences,inspirations, and movements that have shaped the lives and works of our best-loved poets.First published in 1994 as the Oxford Companion to Twentieth Century Poetry in English and compiled by a team of 230 experts, including famous poets such as Blake Morrison and Andrew Motion, this edition also includes new biographical entries on more contemporary poets such as Don Paterson, AnneCarson, John Kinsella, and Leslie Marmon Silko. It also contains insightful entries by well-known peers, such as Seamus Heaney on Robert Lowell and Anne Stevenson on Sylvia Plath.

Playful and serious, unforgiving and compassionate, Poetry: A Survivor's Guide offers an original take on a subject both loved and feared. In a series of provocative and inspiring propositions, the act of reading a poem is made new, and the act of writing one is made over. Questions of poetry's difficulty, pretension, and relevance are explored with insight and daring. In an age of new media and social networking, this handbook-cum-manifesto provides fresh reverence for one of our oldest forms of art.